The Game

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When a player gets the game

Having conquered the critics and the box-office with Se7en, David Fincher could have "sold out" and kept delivering more of the same. Fortunately, he was wise enough to try different paths, and although all his movies can be classified as thrillers there's no real similarity between them, except maybe a common theme of alienation and solitude. In Fincher's third film, The Game, that solitude is physically incarnated by Nicholas Van Orton Michael Douglas , a wealthy businessman who is so obsessed with his job he has forgotten everything about the simple joys of life.

The only person who still stays in touch with him is his younger brother Conrad Sean Penn , who is Nicholas' polar opposite in terms of attitude. One night, when they're out to celebrate the elder brother's birthday, Conrad mentions a "game" that changed his life and suggests Nicholas participate too, as it would be "fun". Though initially hesitant, the latter eventually gives in to curiosity and decides to give it a shot. Within a few hours, however, he will regret it: the "game" is actually some sort of conspiracy involving everyone in town.

With his assets frozen, his apartment no longer a safe place and no one left to trust, Nicholas must figure out how to solve the problem before it's too late - for him or someone else As usual, Fincher makes sure the film works on a technical level, cleverly using camera angles, lighting shades of red and brown being the dominant color and editing to keep the suspense alive and the atmosphere conveniently murky.

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It is mainly this masterful handling of film-making tools that keeps the viewer from questioning the logic of the nonetheless brilliant screenplay, some of the twists giving the impression of a dystopic set-up rather than a plausible situation and yet the script is supposedly based on a real event. Two other elements contribute to elevating The Game above the average mystery tale: a truly unpredictable, phenomenal ending, in pure Fincher tradition well, at least until he made Panic Room , and the great work by the leading men, Douglas' paranoid desperation slyly erasing all hints of typecasting after all, this is not the first time he has played someone who is being manipulated; in fact, one scene explicitly spoofs one of those previous movies and Penn's smug anarchy anticipating director's masterpiece, Fight Club, and its central character, Tyler Durden without a doubt Brad Pitt's best role to date.

In short, those looking for a "different" cinematic experience should give The Game a try: it might come off as overly cold or contrived at first, but like all of Fincher's movies it deserves a re-evaluation Fight Club wasn't exactly a hit when originally released and stands the test of time as one of the most original, smartest films of the '90s.

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Crazy Credits. Alternate Versions. Rate This. After a wealthy banker is given an opportunity to participate in a mysterious game, his life is turned upside down when he becomes unable to distinguish between the game and reality. Director: David Fincher. Writers: John Brancato , Michael Ferris.

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From metacritic. IMDb's Guide to Horror. In Memoriam Stars We've Lost. Movie and TV Anniversaries for September Licence - SportPesa Pty Ltd. How do I Register with SportPesa? Login Register Forgot your password? Live Games. Highlights Top 5 Leagues [[ nav. Loading, trying to redirect to Made of Winners. Login or register to save your favorites Join Us Login. Banner Match [[ match. There aren't a ton of enemy types, and you don't have a ton of options to deal with them.

There's a block, which adds a little bit of timing and strategy for dealing with even straightforward enemies, but most scrums boil down to button-mashy affairs. For the first half of the campaign this feels like enough, but as the missions get longer and throw more enemies at you, combat can grow more and more tedious.

Late-game dungeons try to mix things up with some light, mostly uninspired puzzles — moving blocks, triggering switches in the right order, etc. There are a few novel moments that mix things up — without any spoilers, a couple of well-made boss fights and a mid-game chase sequence come to mind. None of them reinvent the wheel, but feel at home in both the story and in the conventional action-RPG form Stranger Things 3: The Game retraces.


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And, like its quest-based RPG structure, they add just enough depth and variation to avoid monotony. At its heart, Stranger Things 3: The Game really feels like it exists for the most die-hard fans of the show; The people who will be elated by the very idea of having the series show up in their game library in addition to their Netflix queue. It's thoughtfully conceived and strikes a good balance between following the show faithfully and adhering to the structure of the games it imitates.

Still, with thin combat and repetitive quests, it fails to make a strong case for itself apart from the show and its fandom. Review by Mike Epstein.

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More From Stranger Things. More From Stranger Things: Season 3. Artboard 3 Copy. Artboard 3.